克里斯托夫·马洛和威廉·莎士比亚并称作文艺复兴时期的两朵奇葩,而前者作为伊丽莎白戏剧的先驱代表,成就了伟大的《浮士德博士的悲剧》。剧中,浮士德经历了内心善与恶激烈的挣扎,不惜出卖自己的灵魂换取知识。本文从神话原型批评理论的角度,探索悲剧中圣经典故的用法,深化主题的同时更渲染了人物的悲剧色彩。 Christoph Marlow and William Shakespeare called two wonderful works of the Renaissance, while the former, as a pioneer representative of the Elizabethan drama, made the great “tragedy of Dr. Faustus.” In the play, Faust experienced an intense struggle of inner good and evil and sold his soul in exchange for knowledge. This article explores the usage of biblical allusions in tragedy from the perspective of mythological criticism, deepens the theme and at the same time renders the tragedy of characters.