影片《谁是被控告的人》是根据同名话剧改编的,但影片的结尾却与原作有很大的不同。在原作中,荷花渡海关关长龙汉生不徇私情,坚持原则,与违法乱纪,走私漏税的县委书记曾坤作了坚决的斗争,结果却被对方上下勾结,倒打一耙,诬告陷害,成了“被控告的人”。现在的影片却把它改为曾坤的劣迹被中纪委与地方法院发觉查明,最后被押上了历史的审判台,成了被控告的人。显然,这是一个不小的改动,那么,它是改对,改好了,还是不那么好,甚至适得其反呢? “文章不厌百回改”,“诗不厌改,贵乎精也。”鲁迅也说过:“写完后至少看两遍,竭力将可有可无的字、句、段删去,毫不可惜”。为了提高作品的质量,需要反复修改,这是不用多说的道理。而且,一般说来,也总是越改越好的。所以,即使象托尔斯泰那样伟大的作家,也免不了常常追到印刷厂去要回即将付排的稿子,一遍又一遍地斟酌、修改的。 The film “Who is accused of” is based on the adaptation of the drama of the same name, but the end of the film is very different from the original. In the original works, Longhuasheng, director of the Customs and Excise Department at Lotus, adhered to the principle of resolute struggle against the county party secretary Zeng Kun who violated the laws and disciplines and smuggled and leaked tax. As a result, he was colluded with others and falsely accused of false accusations. “Accused person.” Now the film has changed it to Zeng Kun’s misdemeanor was found by the Central Discipline Inspection Commission and the District Court, and finally was put on the trial court of history, has become accused of people. Obviously, this is not a small change, then it is changed, improved, or not so good, or even counterproductive it? Also said: “After reading at least twice, trying to be dispensable words, sentences, paragraph delete, no regret.” In order to improve the quality of the work, we need to make repeated changes. This is needless to say. And, generally speaking, the better the better. Therefore, even great writers like Tolstoy can not but often catch up with the printing house to get back drafts of manuscripts that are about to be paid and to be considered and revised over and over again.