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电影需要明星,尤其女明星,失落了金鸡百花,影坛却并不寂寞,因为跟20年前相比,中国电影已经为世界所了解,新一辈的女明星墙外飘香,凭借新生代的电影,在国际上频频封后。传统“影后”暗淡下去的同时,新生代女星似乎为新世纪的中国电影延续上了一把青春之火。除了艺术政府双主流导演张艺谋钦点的章子怡和商业主流导演冯小刚御用的徐帆,原来中国还有一股强大的小影后潜流,她们与前辈相比,更加能表达出鲜明的个人特色,也更加能适应日益商业化的娱乐行业。很难用什么“第六代”来界定她们,
Movies need celebrities, especially female stars, the lost golden rooster flowers, the film is not lonely, because compared with 20 years ago, the Chinese film has been known to the world, the new generation of female stars wall fragrance, with the Cenozoic The film, frequently in the international post-closure. At the same time that the traditional “shadow” dims, the Cenozoic actresses seem to have continued the fire of youth for Chinese films in the new century. In addition to Zhang Yiyi, Zhang Yimou’s hand-picked director of the mainstream art and government, and Xu Fan, the director of the commercial mainstream, Feng Xiaogang turned out that China still had a powerful post-shady backcross that could express its distinctive personalities and adapt more well to its predecessors Increasingly commercialized entertainment industry. It is difficult to use what “sixth generation” to define them,