纵观始于唐、成于宋、盛于明清至现代的中国传统花鸟画,各代均有人才出,一代风貌一代人,名作纷呈,气象峥嵘,与山水、人物三分于天下。特别是明清以降,中国人物画现颓势,山水画整体亦难逾前人高峰,花鸟画的发展却因大写意水墨的介入,中国传统美学诗书画印完美结合的文人画意识在花鸟画中淋漓尽致的表现,使本来起步较迟、发展较慢的 Throughout the Tang Dynasty, into the Song Dynasty, Sheng Ming and Qing dynasties to the modern Chinese traditional flowers and birds paintings, all generations have talent, a generation of style of a generation, famous, weather is rosy, and landscapes, characters in the world. Especially in the Ming and Qing dynasties, Chinese figures are declining. The landscape painting as a whole is also hard to surpass the previous peak. The development of bird-and-flower paintings is due to the intervention of the freehand brushwork and ink painting. The performance, so that has been started later, slower development