艺术创作总是徘徊于历史与现实之间,历史与现实之间只有时空的距离而没有心理的距离。对于前人的思想与行为不能仅从事件的前因后果出发来推测其必然性,就文学艺术而言,挖掘其心理元素,顺着其心理的逻辑进行推演,得出其合理性的结局,常常是惟一的途径。艺术家总是在为建构一个缜密的心理逻辑体系而煞费苦心。小剧场话剧《走出围屋》正是在探寻人物心理逻辑的内在线索上做着孜孜的努力,其中浮动着的人性隐秘特质和心理深处的 Art is always hovering between history and reality. There is only a distance between history and reality without psychological distance. As for the literary and artistic tradition, we should not only excavate its psychological elements but also deduce its psychological elements according to its psychological logic to arrive at the conclusion of its rationality, which is often the only one that can not be deduced from the antecedents and consequences of the incident. Way. Artists are always struggling to build a careful psychological logic system. Small theater drama “out of the house” is precisely the search for the inner clues of people’s mental logic to make diligent efforts, including the hidden nature of human secrets and psychological deep