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中国现代文学思想的变迁是比较复杂的,选择不同的视角就可以看到非常不同的思想景观。本文从现代文学思想主导话语变迁的角度,考察知识分子关于文学言说的主要思维方式、概念以及由此建构起来的文化现实、文学实践等,并在此基础上将现代文学思想的主导话语分为从礼教话语向自由主义话语、从自由主义话语向审美政治话语、从审美政治话语向民族国家话语转型三个阶段。尽管三个阶段文学思想主导话语各有特色,但就这些阶段的整个文学思想话语而言,则都表现为多元性、科学性、世俗性、公共性的特点,这在中国文学思想史上是颇为难得的。
The changes in Chinese modern literary thought are rather complicated, and different ideological landscapes can be seen by choosing different perspectives. From the perspective of the change of the dominant discourse of modern literary thought, this paper examines the main thinking modes and concepts of intellectuals about literary discourse as well as the cultural reality and literary practice built up by them. On the basis of this, the dominant discourse of modern literary thought is divided into From the ritual discourse to the liberal discourse, from the liberal discourse to the aesthetic political discourse, from the aesthetic political discourse to the national discourse transformation. Although the dominant discourses of the three stages of literary thought each have their own characteristics, the characteristics of pluralism, science, secularity and publicity in terms of the whole literary and ideological discourse at these stages are quite typical in the history of Chinese literary thought For rare.