这次展览产生了一批幅面宏伟、场景壮阔的黄钟大吕之作,深刻地再现了广大军民万众一心顽强拼搏、坚韧不拔的英勇壮举。这是许多亲历堤坝的画家们的共同感受。 不少作品采用了直接对抗——凶残肆虐的洪峰与无所畏惧的脊梁之间的猛烈碰撞的方式,来展开画面。人物形象的塑造饱满而不夸张,场景的选择典型而不矫饰,因为任何的夸张和矫饰不仅不能强化作品的感染力,而且对将士们的壮举只能构成伤害。视觉上的冲撞,斜线方块的相互吞并、泼彩飞墨的侵恣交融,也只能表达出那气吞山河的烙印的只鳞片爪。唯有真情,像一首激昂的旋律,将那些散落的音符串联起来,使这些画作大而不空,多而 This exhibition produced a batch of magnificent and spectacular scenes from Huang Zhongda and Lu Lvzhi, profoundly reproducing the courageous and heroic feat that the army and the general public are bent on fighting tenaciously and tenaciously. This is the common feeling of many painters who experienced dams. Many works use the direct confrontation - the cruel collision between the brutal rampage and the fearless spine, to unfolding the picture. The portrayal of characters is full and not hyperbole. The choices of scenes are typical and not pretentious because any exaggeration and pretense can not only strengthen the appeal of the work, but also can only harm the pride of the soldiers. Visual collision, slash box annexation of each other, splashes of flying ink invading blend, only to express the impatience of the imprint only scale claws. Only truth, like a passionate melody, will be scattered notes in series, make these paintings big but not empty, and more