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当代中国都市电影的主要观影人群为青年群体,理所当然应当充分观照青年文化的鲜活样貌。当下青年文化被释放出不同于既往任何一个时期的复杂与多元情绪。这其中既包含感性的崛起,主体性的张扬,风格化、象征性的抵抗,也包含着娱乐至死的历史虚无主义情绪。然而,在电影作品中,对青年文化的表述和诠释却存在着诸多吊诡之处:自由的幻象和伪经验的生产、影像角色设置中的白领趣味流行、青年主体性的缺席,等等。这些共同构成了当下都市片中青年文化书写的深层征候。今天中国青年文化的版图更加斑驳多彩,日新月异的大众文化理应是青年文化的催生者,而绝不应该是青年文化的终结者。
The main crowd of viewers in contemporary Chinese metropolitan cinema is a youth group. It is a matter of course that the vivid appearance of a youth culture should be fully observed. The current youth culture is released from the complex and diverse emotions different from any previous period. This includes both the rise of sentiment, the assertion of subjectivity, stylization and symbolic resistance, as well as the historical Nihilism of entertainment to death. However, there are many paradoxes in the expression and interpretation of the youth culture in film works: the production of free illusion and pseudo-experience, the prevalence of white-collar tastes in the setting of image characters, the absence of youth subjectivity, and so on. These together constitute the current urban film youth culture writing deep sign. Today, the territory of Chinese youth culture is more mottled and colorful. A rapidly changing popular culture should be a catalyst for youth culture and should never be the terminator of youth culture.