梨园界的老人儿大概还记得,富连成科班有位叫马连昆的,他是著名京剧表演艺术家马连良的堂兄。他性格耿直、倔犟。据我父亲讲,在科班里他学戏是最用功的一个。铜锤、架子、武二花的活他都能来,而且相当不错。不仅台上行,场面上的司鼓、胡琴、月琴、弦子、笛子、唢呐、笙、箫等,横的竖的全能招呼,可以说是六场通透。可是,有这么大本事的人戏饭却越吃越窄。他搭过不少班,梅兰芳的、马连良的、高庆奎的等等,但哪儿也干不长。因为他一有不顺心的事,或台上出点纰漏,就开搅。久而久之,没有班社敢启用他,最终落了个很悲惨的结局。用老话儿说,他就是人性不好。提起他搅戏的事,还真有 The old man in the Liyuan community probably still remembers that there was a man called Kunlun Kun in Fu Liancheng, and he was a cousin of the famous Peking opera performance artist Ma Lianliang. He upright character, stubborn. According to my father, he is one of the most diligent learners in the Kobari. Copper hammer, shelf, Wu Erhua live he can come, and quite good. Not only the stage on the stage, the scene on the Secretary drum, huqin, Yueqin, Xianzi, flute, suona, Sheng, flute, horizontal vertical all-hello, can be said that six transparent. However, people who have such a great skill play more but eat more and more narrowly. He took a lot of classes, Mei Lanfang, Ma Lianliang, Gao Qingkui and so on, but where did not last long. Because he had a bad thing, or stage mistakes, stir up. In the course of time, no class commander dared to activate him and ended up with a very tragic ending. With old saying, he is not good at human nature. Really provoked his play scene, really