有一位电影演员在谈创造角色的经验时说:“要少开尊口”,“只有在离开语言无法表达的情况下才去采用。”为什么“要少开尊口”?电影不是戏剧,不能象戏剧那样依据再现性的语言艺术去加深它的内容,而是要依靠动的视觉形象的画面来再现现实。我们知道,电影是综合性的视觉艺术,视觉形象在综合性中占着重要的位置,运动的形象画面具有巨大的表现能力,语言难以陈述清楚的内容,电影却可以通过动的画面予以表现。因此,语言的陈述在电影中虽是必要的,但只占次要的地位。这并不是说电影中的“对白”愈少就愈好,而是说少用“对白”毕竟是符合电影的本性的。如《远山在呼唤》中的“对白”极少,男主角从始至终只说几十句话,但其艺术力量却撼人心魄。这不仅说明编导者成功地运用了电影艺术的巨大表现 One film actor, talking about the experience of creating characters, said: “It is less open-minded.” “It is only used when you can not express one’s own language.” Why is it “less open-minded?” The film is not theater and can not Instead of deepening its content on the basis of reproducible linguistic art, like drama, the reality needs to be relied upon by moving images of visual images. We know that the film is a comprehensive visual art. The visual image occupies an important position in the comprehensiveness. The image of the moving image has a great ability of presentation. The language is difficult to state the clear content, and the movie can be displayed through moving pictures. Therefore, the language of the statement is necessary in the movie, but only a minor position. This is not to say that the less “dialogue” in the movie, the better, but the less “dialogue” is, after all, in line with the nature of the film. Such as “distant mountains called” in the “dialogue” very few, the actor said only a few dozen sentences, but its artistic power is breathtaking. This not only shows that the director has successfully used the tremendous performance of cinema art