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在我们印象中,中国音乐在世界音乐的地位是独特的,从理论上追根述源我们可以以律制的不同进行区分,但事实上,律制的不同还在于中国音乐背后的思维与西方音乐大不同,文化的不同必然会体现在音乐的种种细节之上。在讨论本文的核心问题前,我们有必要先讨论一下中国音乐本身的特质。*中国音乐的特质——以线性思维为基础的“音腔”体系“音腔”指一种包含有某种音高、力度、音色变化成分的音过程的特定样式。借用沈洽在文《音腔论》中的说法:
In our impression, the position of Chinese music in world music is unique. In theory, we can make a distinction between different legal systems. However, in fact, the difference in legal system lies in the thinking behind Chinese music and Western music Different, cultural differences will inevitably be reflected in the details of the music above. Before discussing the core issues of this paper, it is necessary for us to discuss the characteristics of Chinese music itself. * Characteristics of Chinese music - based on linear thinking “sound cavity ” system “sound cavity ” refers to a specific style of sound process that contains some variation of pitch, force, and tone. To borrow Shen Qun in the “sound cavity theory” in the argument: