我在从事钢琴主科教学之前,曾担任好几年的管弦乐伴奏,即使现在,教学工作之余,我仍以极大的兴趣从事一些伴奏及室内乐的演奏,并从中受益匪浅。因此,我想就目前音乐界伴奏现状及高等音乐艺术院校钢琴学生学习伴奏的重要性谈谈自己的看法。目前,就全国的音乐院校看,除少数几所音乐学院设有专门的钢琴伴奏外,很多音乐院校尚缺正规的伴奏教师,我国又没有专门培养伴奏和室内乐人才的艺术院校,伴奏人才严重短缺,以我们武汉音乐学院为例,伴奏教师奇缺,我院采取了一些解决办法,即一般的伴奏 I spent several years as an orchestral accompanist in major piano teaching before and I was still greatly benefited from accompaniment and chamber music even now and in my teaching. Therefore, I would like to share my views on the current status of music accompaniment and the importance of learning accompaniment by piano music institutes of higher learning. At present, as far as the national music academies are concerned, with the exception of a few conservatories that have specialized piano accompaniments, many music academies still lack formal accompaniment teachers and there is no art academy specializing in accompaniment and chamber music in our country. A serious shortage of accompaniment personnel, with our Wuhan Conservatory of Music, for example, lack of accompaniment teachers, our hospital has taken some solutions, namely the general accompaniment