数十年来,因海内外社会文化的激荡与交融,致使当代中国画坛各家获得了几乎是无穷的资借途径,这原本是中国画步入当代所应得的福音;然而,社会的迁延变化不可能不要求相应体制的跟进,在中国社会土壤中以专一为本的政治体制与那时势所造的多元市场体制碰撞到了一起,其结果对中国画坛所发生的影响,反而使得身处充沛创造力时代环境中的艺术家个体易于固守其成。这个局面的框限,不能不说是当代中国画面临的严峻的环境挑战。我们不无遗憾地看到,有无数画坛英雄在挣得自家山头之后,便仅仅因为既得 For decades, the agitation and blending of social culture at home and abroad has led to the virtually unlimited access to capital by all the contemporary Chinese painting artists. This was originally the gospel that Chinese painting should have brought into the present era; however, the change in society does not change May not require the follow-up of the corresponding system. The one-to-one political system in the soil of Chinese society collided with the pluralistic market system that was then created. The impact on China’s painting scene of the result would instead make the city full of resources Individuals in an era of creativity tend to stick to it. The frame of this situation can not but be regarded as a serious environmental challenge facing contemporary Chinese paintings. We are not without regret to see that there are countless Heroes in the painting earn their own hills, only because of vested