论文部分内容阅读
笔者一直认为中国话剧的开端是春柳社。这几年一些中国学者提出不同看法。该文讨论春柳社在中国戏剧史上的位置,同时也讨论中国话剧的开端问题。笔者考证“春柳社是中国话剧的开端”这个说法20世纪30年代已经形成了。春柳社是中国话剧的开端的理由是:1.春柳社演出获得很大成功;2.春柳社演出影响很大,迅速传到了中国国内;3.春柳社培养了话剧运动骨干人物;4.春柳社在日本受了新派剧、文艺协会双重影响,接近中国现代话剧的形态;5.用国语(普通话)演出。笔者还讨论如何认识清末学生演剧等一些问题。
I always think that the beginning of Chinese drama is Chunliu club. In recent years, some Chinese scholars have put forward different views. This article discusses Chunliashe’s position in the history of Chinese drama and also discusses the beginning of Chinese drama. The author research “Chunliu society is the beginning of Chinese drama ” This argument has been formed in the 1930s. Chunliu She is the beginning of Chinese drama on the grounds that: 1. Chunliushen performances have been very successful; 2. Chunliusi performing a great influence, quickly spread to China; 3. Chunliu Society trained the backbone of the drama movement ; 4. Chunliu Society in Japan by the new school play, literary and art associations double impact, close to the shape of modern Chinese drama; 5. In Mandarin (Mandarin) performance. The author also discusses how to recognize some issues such as student drama during the late Qing Dynasty.