修长得不成比例的脖子、削肩、沉着的气质与粗犷的身体,这是舟越桂雕塑的典型特征。细致的雕工、打磨和上色,让一块木头化为五官细致、气质幽微与若有所思的面容,彷佛注入了灵魂,大理石的眼睛看似温柔却又冷淡。他的创作,往往起于灵光乍现、特殊意念,甚至只字词组所引发的联想。然后用小如手掌大小的素描本,快速捕捉当下的意象,等到时机酝酿成熟,才在墙壁上的大开素描纸上画出如真人大小的人像草图。而这张图,不仅是以后木雕制作时的依据,也是艺术灵魂初次显会的地方。 Slender was disproportionate neck, cut shoulders, calm temperament and rough body, which is a typical feature of the sculpture of Zhou Yue. Meticulous carving, polishing and color, so that a piece of wood into fine facial features, temperament and thoughtful look of the subtle, as if into the soul, the marble eyes seem gentle but cold. His writing, often from the flames, special ideas, and even the phrase caused by the association. Then use a small, palm-size sketchbook to quickly capture the image of the moment and wait until the timing is ripe for a moment before drawing sketch-like portraits of human beings on the open-faced drawing on the wall. And this picture, not only the basis for the future production of wood carving, but also the first place for the soul of art.