我主要从事雕塑创作和环境雕塑理论研究工作。在创作与研究的过程中,一直坚持在艺术与设计间尝试合理链接,在传统与现代间寻求适当转换,并希望把个人气质与作品气质统一起来。在山东工艺美术学院学习期间,我对设计语言的感悟始于字体设计,老师讲授的“字形上要有收有放、笔画中要主次分明、布局时要结构合理、形体间要懂穿插进退”的要求,使我脱离了汉字本身的限制,学会 I mainly engaged in sculpture creation and environmental sculpture theory research. In the process of creation and research, he has always insisted on trying reasonable links between art and design, seeking appropriate conversion between tradition and modernity, and hoped to unify his personal temperament and work temperament. During the study in Shandong Institute of Arts and crafts, my understanding of the design language started with the design of the font. The characters taught by the teacher should be collected and placed. The stroke should be clear and concise, the layout should be reasonable in structure, Advance and retreat "request, so that I am separated from the limitations of Chinese characters, learn