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新世纪的第一个十年,内地学界关于梨园戏的论述得益于戏曲史料的完善以及问题意识的明确,不仅成果丰硕而且日渐成熟,传统地方剧种的研究版图得以重绘。当下的研究范式主要有本体研究和跨学科整合研究;前者聚焦于梨园戏的基本艺术规律和美学特征,而后者则以文化研究的视阈切入其间,从而具有开放性、公共性、未完成性的特点,显示出跨界的学术想像力。
In the first decade of the new century, the academic discourse on pear orchard in the Mainland benefited from the perfection of the historical materials of opera and the clarity of the problem consciousness. It not only achieved fruitful results and maturing, but also redrawn the study territory of traditional local operas. The current research paradigm mainly includes ontology research and interdisciplinary integration research. The former focuses on the basic artistic rules and aesthetic features of Liyuan Opera, while the latter cuts through the cultural research perspective, thus being open, public and unfinished The characteristics of the show cross-border academic imagination.