文化风尚与情感抒写——明代送别雅集诗画中的图式与观念(上)

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明代送别雅集产生了诗画合一的艺术形式。送别雅集图有“拱手离别”型和“宴会离别”型。送别雅集诗强调离情、风尚、品格等内容。二者共同反映了明代送别雅集强调朝隐文化风尚,表彰杰出人才的新特色,也推动了艺术与观念的结合,是明代特有的新雅集形式,也具有特殊的文化价值。明代送别雅集非常多,参与人多赋诗、写序以表达惜别之情,但随着画家参与送行,送别雅集图也开始流行。送别雅集诗画结合的艺术形式不仅记录雅集的现实场景,而且说明雅集的原因、过程、文化风尚、出仕观念、人格品德,为了解明代 Farewell to the Ming Dynasty produced a poetic art form. Farewell elegant map has “hand over” and “banquet parting ” type. Send elegant poem emphasizes love, fashion, character and other content. They both reflect the farewell style of the Ming dynasty emphasizing the culture of dynastic implicitness, honoring the new features of distinguished talents, and also promoting the combination of art and conception. It is a form of new elegant collection that is unique to the Ming Dynasty and also has special cultural values. The farewell collection of the Ming Dynasty is very large, participants are more poems, write order to express farewell feelings, but with the painters involved in the delivery, farewell to elegant map also became popular. Farewell to the collection of poetry and painting combination of art forms not only record the reality of the scene set, but also illustrates the reasons for the elegant set, process, culture, concept of a career, moral character, in order to understand the Ming Dynasty
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