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作家要有世界眼光,一直是评论家关注的焦点,本文通过对严歌苓、北岛的个案研究,发现作家完全跨越到异域文化,却失去立场,对其创作反而有害。
The author has a world view and has been the focus of criticism. Through the case studies of Yan Geling and Bei Dao, the author discovers that the author completely crosses to the exotic culture but loses her position, which is detrimental to her creation.