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“症候解读”理论的形成和发展经历了漫长而又曲折的过程。该理论发端于弗洛伊德、拉康的建树,成长于阿尔都塞、马舍雷、卡勒等人的创获,开辟了一个崭新的论域。“症候解读”理论的标举,标志着艺术生产论的研究重点从创作一端向阅读和批评一端进一步拓展。肯定文学阅读和文学批评的生产性,将其认定为一种艺术生产,这是在马克思所开创的“艺术生产论”基础上取得的一个重大进展。而“症候解读”理论的后现代性质,正预示着文学批评作为艺术生产将迎来开阔的理论空间。
The formation and development of the theory of symptom interpretation have undergone a long and tortuous process. The theory originated in the Floyd, Lacan’s achievements, grew up in Althusser, Marcella, Khalil and others, has opened up a new discourse. The interpretation of the theory of “symptom interpretation” indicates that the research emphasis of art production theory has been further expanded from one end of creation to one end of reading and criticism. Affirming the productivity of literary reading and literary criticism as a kind of artistic production, this is a significant progress made on the basis of Marx’s theory of art production. However, the postmodern nature of the theory of “symptom reading” indicates that literary criticism will usher in a broader theoretical space as art production.