皮埃尔.洛蒂的《菊子夫人》展示的是一个法国军官租妻的畸形情爱故事。租妻制度合法化使得女性身体成为时代的牺牲品,身体处于一种尴尬的境地,不仅仅指向单纯的性爱,而是经由法国军官的异国身份以及由此而引发的文化冲突产生了多重指向的可能,即商品、道德和家园。 Pierre Loti’s Madam Daisy shows a freak love story of a French officer’s wife. The legalization of the rent wife system made the female body a victim of the times, and the body was in an awkward position not only directed at pure sexuality, but at the possibility of multiple directions through the foreign identity of French officers and the resulting cultural conflicts , That is, goods, morals and homeland.