在我国古代封建社会,自从儒家思想成为历代统治集团进行思想统治的工具以后,许多有独立见解的人或有所作为的人,要想在某个问题上提出新的看法,或在某件事情上有所革新,都不得不在“宗经”、“复古”的旗号下进行,历代文论家关于文与道的论述就是其中最典型的例子。关于文与道的关系问题,早在韩、柳提倡的古文运动以前就开始涉及到了。问题的提出,主要是针对内容贫乏、形式僵化的骈体文。骈文的兴起,对我国文学的发展曾经起过一定的积极作用,其中的优秀作品当属一笔宝贵的文化遗产,值得传诵和借鉴。但骈文发展到后来弊病愈来愈突出。充斥文坛的大量骈文,往往忽略作品中积极健康的思想内容,片面追求辞藻的华丽,讲究音调声韵的格式,卖弄知识,堆砌典故,致使文风靡弱,形式僵化。这样的作品,既不能真实地反映社会现实生活,也不能抒发作者的真情实感, In the ancient feudal society in our country, since the Confucianism became the tool of the ruling group under the dictatorship of the past dynasties, many people who had independent opinions or who did something want to come up with new ideas on a certain issue, or on one issue All innovations have to be carried out under the banner of “Sutra” and “Retro”. The most typical example is the elaboration by the literary writers of the ages on both texts and roads. As for the relationship between Manchu and Tao, as early as South Korea, Liu advocated the prose movement before it began to be involved. The issue is mainly aimed at the lack of content, the form of rigid 骈 body language. The rise of prose has played a positive role in the development of Chinese literature. The outstanding works among them belong to a precious cultural heritage worthy of being read and borrowed. However, the development of prosthetics later became more prominent drawbacks. A large number of literary texts flooding the literary world often neglect the positive and healthy ideological content in the works. They unilaterally seek the luxuriant rhetoric, pay attention to the format of the tone and rhyme, show off their knowledge and piled allusions, resulting in the weakness of the style of writing and the rigidity of the form. Such works can neither truly reflect the real life of society nor express the true feelings of the author,