莫高窟吐蕃期洞窟第159窟彩塑一铺保存较为完好,属敦煌石窟中唐彩塑艺术的代表作。该铺造像较之敦煌同时代或更早时期(初盛唐)的彩塑造像,更加富有个性化的艺术特征,人物服饰变化比较大,艺术风格与表现形式均发生了一定的变化。艺术反映历史,通过对该铺造像的分析,结合敦煌当时的历史背景,表现出吐蕃统治时期敦煌石窟彩塑艺术的新特征。另一方面,该铺造像相互之间艺术表现样式与造像特征的区别与变化,属敦煌彩塑艺术所鲜见,究其原因,则很有可能是受到有唐一代艺术家相互之间竞争风气影响的结果。 Mogao Grottoes cave Cave Cave Cave 159 preserved more intact, is a masterpiece of Dunhuang Grottoes in the Tang Dynasty plastic arts. Compared with the colorful statues of the same or earlier period of Dunhuang (early Tang Dynasty), the paving statues are more personalized and artistic, their costumes and costumes vary greatly, and their artistic styles and expressions have undergone some changes. Art reflects the history, through the analysis of the pavilion statues, combined with the historical background of Dunhuang at that time, showing the new characteristics of Dunhuang Grottoes in the period of Tubo Dynasty. On the other hand, the difference and change between the artistic expression and the imagery of the pavilions are rarely seen in the art of Dunhuang painting. The reason is probably due to the competitive atmosphere among the artists in Tang and Tang Dynasties result.