《罪恶的黑手》是诗人臧克家的代表作品之一,写于1934年,既保留着诗集《烙印》中坚忍的抒情诗风,又融入了作家后来在诗歌叙事上的鲜明倾向,在臧克家的创作中占据着独特的地位。诗歌是一种具有空间性的文体,叙事自古以来就是中国诗歌中的重要因素,但目前对我国诗歌中的空间叙事研究甚少。本文试以《罪恶的黑手》为例,探讨其空间叙事特征,寻找用空间叙事解释诗歌的可能性。一、诗歌是集叙事与抒情于一体的文学形式,在传统 One of the representative works of Zang Kejia, a poet, was written in 1934, which not only preserves the perseverance of the lyrical poem in the imprint of the poem, but also embodies the writer’s later tendency in poetic narration. In Zang Kejia’s creation Occupy a unique position. Poetry is a kind of space style. Narration has been an important factor in Chinese poetry since ancient times. However, little research has been done on the space narration in Chinese poetry. This paper tries to use the “evil black hand” as an example to explore its spatial narrative features and find the possibility of using space narrative to explain poetry. First, poetry is a literary form that integrates narrative and lyricism in tradition