“画者,文之极”作为《画继》的核心观念,引导着作者对文本进行了重构。首先,邓椿以“文之极”为准则,结合人之身份地位给《画继》编目排序,拟定大的画史纲要;其次在给画家作传时,为了说明“画者”确实是诗之余,更是“文之极”的形象表现,又引用大量时人诗文入画史,对文本进行重构。 As the core concept of “Painting Following,” the author guides the author to reconstruct the text. First of all, on the basis of “Wen Zhizhi ” as a guideline, Deng Chun sorted the Catalog of “Painting Following” in line with the status of human beings and drafted a large outline of the history of painting. Secondly, in order to give a biography to the painter, “It is indeed a poem, but also the image of the” extreme ", but also a large number of people’s poetry into the history of painting, the reconstruction of the text.