论文部分内容阅读
从本期开始,我们的杂志将做一些内容的调整,在前人努力和积累的基础上,我们将开启一些新的向度。我们希望我们的杂志是一本可以提供权威的信息、政策解读和专业知识的杂志,还是一本可以增加实践力、启发艺术想象力的杂志。本期的内容,我们增加了学术的份量,但也不希望过于刻板。作为试改版,我们正尝试着找到一个新的位置。本期增加的理论版块里,我们开辟专题探讨中国动画哲学的问题。有人说,中国动画没有哲学和文化定位是一个重要问题。什么是中国动画?什么是中国动画风格?这是我们由来已久的文化情结。这使我想起不久前去西安,发现此处对于古都风情的营造更胜从前,到处都是以“大唐”命名的建筑和宾馆,恨不得街头小吃店都以大唐命名。一位同行的云南朋友对我说:“大唐就是西安的一块心病。”这句话富有洞见。动画的问题与此很相似。
From the beginning of this issue, our magazine will make some adjustments. Based on the efforts and accumulated by our predecessors, we will start some new directions. We want our magazine to be a magazine that provides authoritative information, policy interpretation and expertise, or a magazine that adds practical power and inspires artistic imagination. The content of this issue, we have increased the academic weight, but do not want to be too rigid. As a trial version, we are trying to find a new location. In the current edition of the theoretical forum, we have opened up a special topic to discuss the issue of Chinese animation philosophy. Some people say that there is no philosophy and cultural orientation of Chinese animation is an important issue. What is the Chinese animation? What is the Chinese animation style? This is our long-standing cultural complex. This reminds me of not long ago to Xi’an and found here to create a more ancient style of the past to create a victory in the past, everywhere is “Datang ” named architecture and hotels, can not wait street snack bar named after the Datang. A fellow Yunnan friend said to me: “Datang is a piece of heart disease in Xi’an.” The problem with animation is very similar to this.