在艺术家王迈的新作品“尤伦斯湾海峡”中,创作用的主要材料来自于中国北方渔猎民族生活的必需品,如搭建成建筑结构的白桦林和印有迷彩图案的行军鱼皮营帐,以及悬挂的放大数倍的渔猎民族用于哺育婴儿使用的摇篮;摇篮内树立高耸的气象观测百叶箱,用来观测“海峡”的政治文化生态的气候。同时还将展出与这些装置作品场景相关绘画及作品草图。这些寒带森 Among the new works by artist Wang Mai, “Uruens Bay”, the main material used for creation comes from the necessities of fishing and hunting ethnic life in northern China such as the birch forest built into a building structure and the march skin printed with camouflage patterns Camp accounts, and suspended cranes that are used by fishing and hunting ethnic groups that are multiplied by several times to nurture their babies. In the cradle, a towering meteorological observation veranda is installed to observe the climate of the political culture of the Straits. A series of drawings and sketches related to these installation works will also be exhibited. These frigid forests