潘金莲作为中国古典文学《水浒传》中被作者浓墨重彩、颇下了些工夫所刻画的一号女性反角,她的“知名度”在文学历史的长河中是不容小觑的。但是,千百年来,她似乎被钉上了历史的耻辱柱,并且一直被冠以荡妇淫女的头衔。她勾引小叔,偷人弑夫,严重败坏了社会伦理道德,遭到了人们的唾弃和谩骂。“潘金莲”三个字已成为一个符号的象征,成为“淫荡”与“歹毒”的代名词。然而,在进入20世纪之后,随着西风东渐,文学批评视角和方法的多元化,对于潘金莲 Pan Jinlian, as the author of “Classic Outlaws of the Marsh” in Chinese classical literature, has done a lot of painstaking work and has done some contradictions on the part of No. 1 women portraying her work. Her “popularity” can not be underestimated in the long history of literature and history. However, for centuries she appeared to have been pinned on the shame of history and has been named the title of a slut. She seduced her younger brother and steamed her husband, who severely damaged social ethics and was spurned and abused by people. “Pan Jinlian ” Three words have become a symbol of symbols, become “sensuality” and “vicious” synonymous. However, after entering the 20th century, with the gradual easterning of the west and the diversified perspectives and methods of literary criticism,