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康保成认为秧歌乃上古乡人傩即沿门逐疫与西域娱乐形式相结合的产物,并特别强调了西域歌舞姎歌偎郎与秧歌在表演形态与内容上的相似之处。但二者的分野亦颇为突出,秧歌作为一种典型的年节艺术,在文献上找不到受西域歌舞影响的证据,它只可能是汉民族劳动歌谣自身发展、嬗变的结果。
Kang Bao-cheng believes that Yangko is a product of the combination of the ancient people in the ancient townships, that is, the epidemic along the gate and the form of entertainment in the Western Regions. Particular emphasis is given to the similarities and differences in the forms and contents of singing and dancing of the Western Regions. However, the distinction between the two is quite prominent. As a typical art of the festival, Yangko can not find any evidence influenced by the Western Song and Dance. It can only be the result of the development and evolution of the Han nationality’s folk songs.