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新疆生产建设兵团的政论片在各种世界记录片理念的不断变化中随着中国整体纪录片的发展变化也相应的发生了自己的变化,由原来的格里尔逊式的纪录片以及形象化政论发展为追求真实、能有更多自我表达的新纪录政论片,新纪录电影运动为新疆生产建设兵团政论片创作打开了一扇新的窗,在还原兵团历史真实、宣传兵团政策的前提下,作品注重情感的呈现和个体的表现,在创作理念上也发生了一系列的变化。
Xinjiang Production and Construction Corps political films in a variety of world documentary changes in the concept of constant change with the development of China’s overall documentary corresponding changes took place from the original Greerory-style documentary and visualized political development to The pursuit of truth, to have more self-expression of the new record political theory film, the new record film movement for the Xinjiang Production and Construction Corps political drama created a new window, in the corps of the restoration of truth and propaganda, under the premise of the Corps policy, work emphasis Emotional presentation and individual performance, in the creative concept also took place a series of changes.