高尔纯(原广电总局剧本中心副主任):看完《一号目标》,我有三个没想到。第一没有想到:表现重大革命历史题材的作品可以用谍战片的样式来呈现。影片一开始,周恩来就处于危机四伏的环境当中,悬念迭起、险象环生、扣人心弦。周恩来成为谍战的中心人物,敌人紧盯的一号目标,这样的处理方法在过去的重大革命历史题材电影里是没有见过的。第二没有想到:谍战片引人入胜的魅力可以不靠频繁杀人的恐怖血腥镜头来实现,而是完全靠险象环生 Gore pure (deputy director of the Script Center of the original SARFT): After reading the “No. 1 goal”, I have not thought of three. The first did not come to mind: works representing major revolutionary historical themes can be presented in the form of spy war films. At the beginning of the film, Zhou Enlai was in a situation of crisis, suspense one after another, dangerous, heart-catching. Zhou Enlai has become the centerpiece of the spy war and the enemy’s first goal of keeping track of the enemy. This approach has not been seen in past major revolutionary historical films. The second did not think: fascinating spy war movie charm can not rely on frequent killings of horror bloody shot to achieve, but entirely by risk