《溪山琴况》是中国古琴美学思想的集大成者,在中国音乐美学思想史上是与《乐记》、《声无哀乐论》形成三足鼎立的重要著作。《溪山琴况》以二十四个字况概括了琴乐的审美思想,它的首重之况——“和”况,对古筝演奏起着重要的指导意义。本文主要就“和”况在古筝演奏中的体现作简要论述。 “Xishanqinqiang” is a master of the Chinese guqin aesthetic thought. In the history of Chinese musical aesthetics, it is an important book with tripartite confrontation with “Yueji” and “sound without sorrow and sorrow”. “Xishanqinqiang” summarizes the aesthetic thoughts of the piano music in twenty-four characters. The first status of the piano is “” and “”, which plays an important guiding role for the performance of the zither. This article mainly discusses the manifestation of “and ” condition in the performance of the zither.