20世纪30年代新感觉派代表作家刘呐鸥深受欧美现代电影拍摄技巧的影响,主张电影的纯粹性,还原电影艺术本质。作为一种新兴的艺术样式,电影在当时发展尚未臻善,而对电影这项艺术本体的探索自然要远远超越对其他艺术形式的移植与沿袭。刘呐鸥对电影艺术的探索却迫于当时的政治环境而被掩盖,继而发展成当时与“硬性电影”之争的“软性电影”。 In the 1930s, the new sensationalist writer Liu Naou was deeply influenced by the European and American modern film shooting techniques, advocating the pureness of the movie and restoring the essence of the movie art. As a new art style, the development of the film was not perfect at the time, but the exploration of the art body of the movie naturally far surpassed that of other art forms. Liu Naou’s exploration of the art of cinema was obscured by the prevailing political environment and developed into a “soft movie” of the current controversy with the “hard film.”