不知从什么时候开始,京剧演员排新戏,总要在大段唱腔上下功夫。不仅大段,而且要成套,慢的转快的,快的转慢的;上板的转散,散了再上板。中间穿插个清板、吟板,有时还要变调,又变回去。似乎只有这样搞才有新意。然而,新戏的唱段却很少有象“低头离了洪洞县”(《女起解》)、“劝千岁杀字休出口”(《甘露寺》)那样的唱段流传下来。戏曲唱段的演唱还是要多考虑考虑观众,一是要声情并茂,让观众一听就喜欢;二是要简单一点,让观众一学就会。“低头离了洪洞县”,从王瑶卿起唱了几十年,什么原因?这里面没有多么深奥的道理,简单一句话——通俗易学,它就是两个[西皮流水板]的上下句,稍加变化,反复演唱,传情写意,简捷流 I do not know when to start, Peking Opera performers new games, always in a large concert. Not only a large section, but also to complete, slow turn faster, fast turn slow; on the board of the scattered, scattered and then on the board. Interspersed with a clear plate in the middle, Yin board, and sometimes change tone, but also changed back. It seems that there is nothing new in this way. However, there are very few airs of new drama circulated like the song “Bow down from Hongdong County” (“Girl Solves”) and “Persuade Chitose to Kill Out” (“Ganlu Temple”). The singing of the opera is still more consideration to consider the audience singing, one is to have the best of both worlds, so that the audience a favorite; second is to be simple, let the audience learn. “Bow down from Hongdong County,” Singing from Wang Yaoqing for decades, what reason? There is not much esoteric truth, a simple sentence - easy to learn, it is the two [Xipi water board] the upper and lower sentence, A little change, repeated singing, teaser, freehand flow