有经验的作家都说,戏是“磨”出来的,而且是“十年磨一戏”,要有“铁杵磨成针”的硬功夫。剧作家之所以用“磨”而不用“写”,至少说明两个问题:一是社会急遽发展变化着,许多看不清说不透的矛盾、冲突,都如老树盘根那样交织在一起,把这样复杂的社会人生用戏剧的方式反映到 Experienced writers say that the play is “milled out,” and that it is “a decade of grinding a movie,” with the hard work of “turning an iron pestle into a needle.” The reason why the dramatists use “grinding” instead of “writing” shows at least two problems: one is the rapid development of society; many conflicts and clashes that can not be seen clearly are intertwined like old tree packing , To reflect such complicated social life in a dramatic way