临摹、写生是中国画创作两个不可或缺的环节。古人关于这一方面的论述已经很多,当代的很多中国画画家也都有此共识。作为中国美术学院科班出身的王乘,接受过良好的临摹训练,因而对中国山水画的绘画语言有着深刻的理解。目前,他正沉潜于从物象的生动描述升华到笔墨精妙这一课题研究当中,呈现给世人的山水写生作品,堪称众多面临此课题的当代画家的重要参考案例。中国山水画与西方风景画的重要区别,在于山水画不仅仅停留在物象本身,而是以物象为载体,用自己的绘画语言传达出山水的神韵。中国传统文化中的“形 Copying and sketching are two indispensable links in the creation of Chinese painting. The ancients have a lot of expositions in this area, and many contemporary Chinese painters also share this consensus. As a native of the China Academy of Art, Wang Mi, who has undergone a good copying training, has a profound understanding of the Chinese landscape painting language. At present, he is lurking in sublimation from the vivid description of the object to the study of subtle brushwork. The landscape painting presented to the world is an important reference case for many contemporary artists facing this topic. The important difference between Chinese landscape painting and western landscape painting is that the landscape painting not only stays on the object itself, but uses the object image as the carrier to convey the charm of landscape with its own painting language. Chinese traditional culture ”shape