《云南映象》后,独特的民族风情无疑成为中国舞台民间舞创作上的一大亮点,“原生态”价值取向已然成为主导倾向,“活态保护和合理利用”也已深入人心。对于“原生态”这个称谓,在舞界引起了不小的争论。它究竟是一种文化形态,还是一种文化态度,或是一种艺术创作方法,抑或是一个商业炒作的噱头呢? After the “Yunnan Image”, the unique national customs undoubtedly become a major highlight of the folk dance on the stage in China. The value orientation of “original ecology” has become the dominant trend, and the “active protection and rational utilization” has also been in-depth People heart. For the “original” title, caused a lot of controversy in the dance world. Is it a cultural form, a cultural attitude, a method of artistic creation, or a commercial gimmick?