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今年的上海文化界,聚焦锁定了文学大师茅盾先生。给出的因由是:茅盾先生诞辰120周年暨抵沪100周年。茅盾一生的革命与文艺实践都是从上海起步:1916年他入职商务印书馆,从此在上海生活工作了近20年,完成了从一个默默无闻的外来青年到中国新文学运动标志性人物的转变。在上海,30岁出头的茅盾写出了紧扣这座大都市脉搏的《蚀》三部曲以及《虹》《子夜》等代表作,他与这座城市的渊源可谓深厚。以纪念茅盾先生为主题的“从文学到电影”研讨活动,由放映他的一系列作品改编的电影开始:有上影导演桑弧拍摄的《子夜》,朱枫拍摄的《春蚕》,还有郑大圣拍摄的“《蚀》之五部曲”:《春风桃
This year’s Shanghai cultural circle has focused on the master of literature, Mr. Mao Dun. The reasons given are: Mr. Mao Dun’s 120th birthday and the 100th anniversary of the arrival of Shanghai. Mao Dun’s revolution and literary practices all started in Shanghai: In 1916, he joined the Commercial Press, and lived and worked in Shanghai for almost 20 years. He completed the transition from an unknown foreign youth to the iconographic figure of the Chinese new literary movement. In Shanghai, Mao Dun, 30, wrote his masterpiece “Eclipse” trilogy and “Rainbow” and “Midnight” closely linked to the pulse of this metropolis. He is deeply rooted in this city. To commemorate Mr. Mao Dun’s themed “From literature to film ” seminar, the film adaptation of a series of his works began with a film: “Midnight” by Shanghai Film Directors Sang Arc, Spring Silkworms by Zhu Feng, There Zheng Dasheng shot “” Eclipse “of the five music ”: "spring breeze