随着中国经济的迅速崛起,中国的政治、文化、艺术等各领域也吸引着世界关注的目光。与此同时,中国对于自身文化身份的认知,以及中国参与全球对话的可能性的反思,也比此前任何一个时期都更加强烈、更加理性。中国美术学的自身建构也被纳入这个思考之中。很长一段时间内,中国的美术学都没有走出“西方中心主义”的怪圈,至今的外国美术研究中,以美国为核心的西方现当代美术研究仍占据主要份 With the rapid rise of China’s economy, China’s political, cultural and artistic fields are also attracting the attention of the world. At the same time, China’s reflection on its own cultural identity and the possibility of China’s participation in global dialogue have also become stronger and more rational than ever before. The construction of Chinese art itself is also included in this thinking. For a long time, Chinese art did not get out of the vicious circle of “Western centralism.” So far in the study of foreign fine arts, the study of western contemporary art centered on the United States still occupies a major part