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从美学角度而言,任何一部艺术作品,如果没有给人类提供比别的作品富有新意的因素,那它就不会具有存在的价值,更谈不上流传后世。因此对艺术来说,“创新”这个口号是万古常青的。近年来,话剧剧作的创新,在很多剧作家中引起了重视,产生了一批可谓创新的剧目,诸如《屋外有热流》、《原子与爱情》、《路》、《血,总是热的》、《五(二)班日志》、《绝对信号》、《妻儿老小》、《路,在你我之间》、《十五桩离婚案的剖析》、《再回头是百年人》,等等。这是一个好兆头。没有一批锐意创新的剧作家和剧本,话剧的繁荣和发展是不可设想的。创新的成绩是明摆着的,毋庸置疑。但是,创新的势头不是已经很足,而是还不够,跟日新
From an aesthetic point of view, any piece of art that does not give mankind something new than any other piece of art does not have the value of existence, let alone the future generations. Therefore, for art, the slogan of “innovation” is everlasting. In recent years, the dramatic drama innovation has attracted the attention of many dramatists and has produced a series of innovative repertoire, such as “heat flow outside the house”, “atom and love”, “road”, “blood, always hot ”,“ Five (two) class diary ”,“ absolute signal ”,“ wife and children ”,“ road between you and me ”,“ fifteen pile of divorce case analysis ”,“ then turn back a century ”, etc. Wait. This is a good sign. Without a group of dramatists and scripts that are determined to be innovative, the prosperity and development of drama can not be imagined. Innovative achievements are obvious, no doubt. However, the momentum of innovation is not enough, but not enough, with Japan