论文部分内容阅读
今年是李斛先生逝世25周年。在21世纪到来的时候,我们决不能忘记这位20世纪为了中国画的人物画革新献出一生心血,做出杰出贡献的画家、美术教育家。中国画到了清末民初,总的趋势是日渐衰落。多数作品脱离现实,只知因袭模仿古人僵死的技法。康有为曾痛心地说:“中国画学,至国朝而衰弊极矣!岂止衰弊,至今郡邑无闻画人者。其遗余二三名宿,摹写四王、二石之糟粕,枯笔如草,味同嚼蜡……”整个中国画坛萧条冷落,处于困境。要挽
This year is the 25th anniversary of Mr. Li Hoo’s death. At the dawn of the 21st century, we must never forget the 20th century painter and art educator who dedicated his life to painstaking efforts in the revolution of Chinese character painting. Chinese painting reached the end of the Qing Dynasty and the beginning of the Republic, the general trend is gradually decline. Most of the works are divorced from reality, only knowing that they imitate the deadly techniques of ancient people. Kang Youwei once said painfully: “Chinese painting, to the great dynasty and the ultimate good and bad! It is not only bad and bad, so far unknown smear people. The remaining twenty-three places, depicting the four kings, two stone dross, Such as grass, taste the same ... ... ”the whole Chinese painting depression depression, in trouble. Want to pull