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古意是赵孟頫绘画理论的中心思想,它摒弃了文人画的游戏的态度,改变了南宋末年脱离现实的院体绘画,成为了元明清文人画的主导思想,从而维护了文人画的人格趣味,创建出文人画特有的表现形式。“作画贵有古意”这一艺术观点,在元代得到发展,并在其艺术创作中予以实践。对于这一理论对于元代绘画的影响,说法不一。师古不是脱离现实,是对传统的技法的掌握,师造化则是尽可能地反映现实,这对于元代以及后世的艺术家的创作具有重要意义。
The ancient idea is the central idea of Zhao Mengfu’s painting theory. It abandoned the attitude of the literati painting and changed the detached courtyard painting of the late Southern Song Dynasty, which became the dominant ideology of the literati painting in the Yuan, Ming and Qing Dynasties, thus maintaining the personality of the literati painting. , To create a unique manifestation of literati painting. “Art of painting ancient times ” This artistic viewpoint, developed in the Yuan Dynasty, and in its artistic creation practices. There are different opinions on the influence of this theory on Yuan Dynasty paintings. It is not only the mastery of traditional techniques, but also the creation of masters as far as possible reflecting the reality, which is of great significance to the creation of artists in the Yuan Dynasty and later generations.