19世纪中后期广东出现居巢和居廉这两位人文画家,在当时的画坛地位举足轻重,因两位同姓而合称为“二居”。居巢和居廉以写生、写实为主,描绘形态主要写意居多,在花鸟画的笔法和用料方式有大胆的创新。两位吸收恽寿平的没骨画法、文人写意的水墨法、传统院体工笔法等特点,再加以创新,发明撞水、撞粉法,20世纪初期形成一种潮流,众人将这一种新画法进行推广,在近代南岭绘画史上具有里程碑意义。 In the middle and late 19th century, two humanities painters such as Juchao and Juluo appeared in Guangdong, occupying a pivotal position in the painting society at that time because they were called “two or more” by the same surname. Habitat and Juchao habitat habitat, realistic, the main depiction of the majority of the freehand style, flowers and birds in the way of brushwork and materials have a bold innovation. The two absorbed 恽 Shou-ping’s no-bone painting, the literati’s freehand ink-and-wash method, the traditional style of traditional Chinese painting, and other innovations. They invented the crashes and smashed the powder method and formed a trend in the early 20th century. Painting method to promote, in the history of modern painting Lingnan landmark.