当今吴门曲坛,百花齐放、百家争鸣,但评弹剧本的创作队伍却人才匮乏、岌岌可危,苏州近现代著名作家陆澹安先生却是个中的佼佼者。回顾我从小耳熟能详的评弹曲目,最喜欢的当属长篇弹词《啼笑因缘》,它虽然取材于张恨水的代表作,但在情节结构、人物塑造、心理刻画、对话艺术、语言叙述等方面的苏州方言改编成就,一点也不逊色于原著。据我所知,《啼笑因缘》的弹词剧本流传有四种,其作者皆为鼎鼎大名的文人学者:一为姚民哀、二为戚饭牛、三为陆澹安、四为姚荫梅, Nowadays, there is a lot of talent in the current stage of Wu’s opera. However, there is a shortage of talents in the creative team of Pingtan theater. However, Mr. Lu Anan, a famous modern writer in Suzhou, is a leader in the field. My favorite recount is the ballad repertoire that I grew up in earnest. My favorite is the long storytelling “Sad Love,” which is based on Zhang Hengyang’s masterpiece but adapted from the Suzhou dialect in terms of plot structure, characterization, psychological portrayal, dialogue art and language narration Achievements, nothing less than the original. As far as I know, there are four kinds of lexicon scripts that come from “Ferocious Love”, whose authors are all famous literary scholar: one is Yao Min-lai, the other is Qi Mu-nian, the third is Lu Zuian, the other is Yao Yinmei,