倪瓒的传世书迹多以小楷为主,中杂行书笔意,形成了他恬淡瘦劲、静穆秀雅的独特风格。作品主要见于题画、诗稿、信札和跋语,独幅的书法作品不多。明代的李日华在《六研斋笔记》中曾记载倪瓒传世书迹有《三印帖》《客居诗帖》《醉歌行》《竹处帖》《月初发舟帖》《寄陈惟寅诗卷》等等,这其中很多已经失传。目前存世的书法代表作品主要有《静寄轩诗文》《淡室诗》(现藏故宫博物院)、《自书诗稿卷》(藏于台北故宫博物院)。关于倪瓒小楷书法风格特点,后世有几种不同观点的评价。被引用最多的是徐渭“古而媚,密而疏”的说法, Ni 瓒 the most of the handed down from the script to small letters, miscellaneous books in the pen, formed his timid thin, quiet and elegant appearance of the unique style. Works mainly seen in the title, poetry, letters and postscript language, only a small number of calligraphy works. Li Rihua in the Ming Dynasty in the “Notes of Liuyazhai” has been recorded in Ni 瓒 handed down the traces of “three printed posts” “Guest Poetry” “drunk song” “bamboo posts” “post at the beginning of the month post” send Chen Weiyin volumes “Wait, many of these have been lost. At present, the surviving calligraphic representative works mainly include ”calm Xuan poetry“, ”shortcomings poem“ (now hidden in the National Palace Museum), ”self-study poetry draft“ (hidden in the National Palace Museum in Taipei). On the calligraphic style of Ni 瓒 small script features, there are several different views of later generations of evaluation. Quotations are the most Xu Wei ”ancient and pro-Mei, dense and sparse " argument,