历史的巨变不是空穴来风,20世纪现代艺术在中国的发生,尤其是80年代以来“新潮美术”的出现,是当代中国社会变革整体的一部分,是基于历史的深处、文化的深处,以及“全球一体化”态势的整体认识之上而产生的,它的出现带有历史的必然性。 那么,我们将从哪一种意义上确定“现代艺术”的性质?显然,在以“前工业化”为基本特征的中国艺术美学语境中,在以“现 The great changes in history are not groundless. The emergence of modern art in China in the 20th century, especially the appearance of ”trendy art“ since the 1980s, is part of the overall social transformation in contemporary China. It is based on the depths of history, the depths of culture, As well as the overall understanding of the ”global integration“ situation, its appearance has the historical inevitability. So, in what sense will we determine the nature of ”modern art?“ Clearly, in the context of the Chinese artistic aesthetics based on ”pre-industrialization ",