不少雕塑人或美术界业内人士对中国城市雕塑的现状及其走向是持沮丧、批评且观望的态度，认为20世纪迄今的中国城市雕塑多模仿、少创造，文化殖民状况严重。笔者认为中国城市雕塑创造空间辽阔，前景可待。雕塑，作为体积的艺术，运用块面的基本语言，在时空中凹凸、起伏、转换 Many sculptors or practitioners in the art circles hold a discouraged, critical and wait-and-see attitude toward the status quo and the trend of urban sculpture in China. They think that the sculpture of Chinese cities in the 20th century to the present has more imitations, less creation and serious cultural colonization. The author believes that there is ample room for urban sculpture in China and there is no prospect for it. Sculpture, as the volume of art, the use of blocks of basic language, bump in the space-time, ups and downs, conversion