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自唐代王维始,特别是南唐、北宋以来,文人画的兴起改变并丰富了中国绘画史的内在理路。这不仅致使院体画与文人画的分野,且经一段时期的彼此消长之后,后者逐渐取代了前者而成为主流。[1]20世纪以来,尽管分野依然,但随着西画东渐,格局已不再是传统意义上的院体与文人之间,而是具象与抽象、中心与边缘、官方与民间等之间的分野。至80年代,西方现代艺术彻底开启了中国画创作的新视野,特别是在当代艺术领域,更是不乏利用传统
Since the beginning of the Tang Dynasty, especially since the Southern and Northern Song Dynasties, the rise of literati painting has changed and enriched the inner logic of the history of Chinese painting. This not only led to the division between the body painting and the literati painting, but after a period of mutual growth and decline, the latter gradually replaced the former and became the mainstream. Since the 20th century, although the division of fields still exists, with the gradual progress of Western painting, the pattern is no longer the traditional one between the academy and the literati, but between the figurative and abstract, the center and the periphery, the official and the folk, etc. The distinction. By the 1980s, western modern art completely opened up a new horizon of Chinese painting creation, especially in the field of contemporary art,