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“英雄”和“父亲心象”是荣格识别的与男性气质和父亲身份相关的重要原型。在它们的作用下,男性心理往往将父亲身份神化,从而产生父神幻象。在阿瑟·密勒戏剧《推销员之死》中,父神幻象支配威利·洛曼的意识,使他产生超男子气的心理倾向,从而导致其父道理想破灭,并最终推动他做出自杀的抉择。
“Heroes” and “Father’s Hearts” are important prototypes that Jung identifies in relation to masculinity and paternity. In their role, male psychology tends to deify the identity of the father, resulting in God the illusion. In Arthur Miller’s play “The Death of a Salesman,” the Father God’s illusion dominates Willie Lohmann’s consciousness, giving him a super-macho mentality that leads to the destruction of his father’s ideal and ultimately to his promotion Suicide choice.