我国的少数民族影视剧创作在充分认识到制度瓶颈、市场瓶颈的同时,更有必要看到突破文化瓶颈的重要性。本文以湘西匪患题材影视剧为个案,探讨文化瓶颈在少数民族影视剧中的具体表现,并分析其形成原因,以期进一步明确少数民族题材影视剧在我国建立和谐社会的文化事业中所承担的重要作用。 At the same time of fully recognizing the system bottleneck and market bottleneck, it is even more necessary to see the importance of breaking cultural bottlenecks. In this paper, a case of bandit drama in western Hunan is taken as a case study to discuss the concrete manifestation of cultural bottleneck in minority film and television drama and to analyze the reasons for the formation. In order to further clarify the importance of ethnic minority film and television drama in the cultural cause of building a harmonious society in our country effect.